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#2257 Schloss Linderhof (Linderhof Palace) - Ettal (Germany)

20070611-096 Schloss Linderhof (Linderhof Palace) - Ettal (Germany).jpg #2258 Terrace Garden at Schloss Linderhof - Ettal (Germany)Thumbnails#2256 Terrace Garden at Schloss Linderhof - Ettal (Germany)

Linderhof Palace with the Water Parterre seen from the Najadenbrunnen (Naiad Fountain) at the slope known as the "Linderbichl".

Schloss Linderhof (Linderhof Palace) is a "Königliche Villa" (Royal Villa) in southwest Bavaria near Ettal Abbey, Germany.
It is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.

Linderhof Palace, the "Royal Villa" of Ludwig II, originated as a hunting lodge belonging to his father Maximilian II - the "Königshäuschen".
It was enlarged by Georg Dollmann (also known as Georg Carl Heinrich Dollmann) between 1870 and 1872 with a U-shaped complex centred on the King's Bedchamber. Like its predecessor, the new building was a wooden post-and-infill construction. It was not until 1874 that the exterior façade was clad in stone, and the old hunting lodge was taken down and rebuilt in the park. The palace was then completed with the Hall of Mirrors and Staircase and furnished in the style of the Second Rococo or Neo-Rococo period.

Although Linderhof is much smaller than Versailles, it is evident that the palace of the French Sun-King Louis XIV (who was an idol for Ludwig)
was its inspiration. The staircase, for example, is a reduction of the famous Ambassador's staircase in Versailles, which would be copied in full in Herrenchiemsee. Stylistically, however, the building and its décor take their cues from the mid-18th century Rococo of Louis XV, and the small palace in the Graswang was more directly based on that king's Petit Trianon on the Versailles grounds. The symbol of the sun that can be found everywhere in the decoration of the rooms represents the French notion of absolutism that, for Ludwig, was the perfect incorporation of his ideal of a God-given monarchy with total royal power. Such a monarchy could no longer be realised in Europe in the second half of the nineteenth century. The bedroom was important to the ceremonial life of an absolute monarch; Louis XIV of France used to give his first and last audience of the day in his bedchamber. In imitation of Versailles, the bedroom is the largest chamber of Linderhof Palace. By facing north, however, the Linderhof bedroom inverts the symbolism of its Versailles counterpart, showing Ludwig's self-image as a "Night-King".